名称：清沈荃仿颜真卿告身帖 轴

资源编号：GCSHTB02756

艺术家：沈荃,Shen Quan

国家：中国

年代：清代

出处：台北故宫

分类：书画

子类：书法

类型：馆藏下载

书体：楷书

格式：PNG

材质：纸

页码/数量：8幅

收藏位置：国立故宫博物院

文件大小：72.78 MB

压缩格式：rar

下载地址：网盘

专辑系列：台北故宫书画作品

备注说明：故书00052400000

资源截图预览

资源编号：GCSHTB02756

清沈荃倣顏真卿告身帖 軸

清沈荃仿颜真卿告身帖 轴

詳細資料

藏品類型：書法

文物統一編號

故書000524N000000000

作品號：故書00052400000

品名：清沈荃倣顏真卿告身帖　軸

分類：法書

作者：沈荃;Shen Quan

書體：楷書

數量：一軸

作品語文：漢文

釋文

勑。國儲為天下之本。師導乃元良之教。將以本固。必由教先。非求忠賢。何以審諭。光祿大夫行吏部尚書充禮儀使上柱國魯郡開國公顏真卿。立德踐行。當四科之首。懿文碩學。為百氏之宗。忠讜罄于臣節。貞規存乎士範。述職中外。服勞社稷。仿顏真卿告身帖。臣沈荃。

典藏尺寸

本幅：133.1x55.8

質地

本幅：紙

鑑藏寶璽：乾隆御覽之寶

鑑藏寶璽：御書房鑑藏寶

鑑藏寶璽：石渠寶笈

鑑藏寶璽：嘉慶御覽之寶

鑑藏寶璽：宣統御覽之寶

參考資料

收藏著錄：石渠寶笈初編（御書房），下冊，頁1097

內容簡介（中文）

沈荃（西元一六二四－一六八四年），江蘇華亭（今上海市）人，字貞蕤，號繹堂，別號充齋，順治進士，官至禮部侍郎，工詩善書，學行醇潔。

沈荃書法初學董其昌，晚歲得力於米芾甚深。他曾於聖祖朝奉召入宮，與皇帝談論古今書法。他的書風充份反映出「康雍之世，專仿香光」的現象，此幅仿顏字便深受董其昌影響，雖然前人批評他學董而乏其氣韻，但楷書功力，仍有可觀處。

內容簡介（英文）

Shen Ch'uan was a native of Hua-t'ing (modern Shanghai). A chin-shih degree holder, he went on to serve in the Ministry of Rites. He was a lofty scholar gifted at poetry and excelling at calligraphy.

Shen's style initially followed Tung Ch'i-ch'ang's, but in later years was greatly influenced by Mi Fu's. Much admired for his calligraphy, Shen was even ordered to the palace to discuss calligraphy with the emperor. His style reflects the tendency of the time to imitate older manners. This work imitates the Yen Chen-ch'ing style but also is strongly influenced by that of Tung Ch'i-ch'ang. Although criticized for capturing the appearance but not the spirit of Tung's style, Shen's achievements in standard script are still quite impressive.

內容簡介（中文）

沈荃（西元一六二四－一六八四年），江蘇華亭（上海）人，字貞蕤，號繹堂，別號充齋，順治進士，官至禮部侍郎，工詩善書，學行醇潔。沈荃書法初學董其昌，晚歲得力於米芾甚深。他曾於聖祖朝奉召入宮，與皇帝談論古今書法。他的書風充份反映出「康雍之世，專仿香光」的現象，此幅仿顏字便深受董其昌影響，雖然前人批評他學董而乏其氣韻，但楷書功力，仍有可觀處。(20120104)

內容簡介（英文）

Shen Quan (style name Zhenrui, sobriquets Yitang, Chongzhai), a native of Huating in Jiangsu (modern Shanghai), became a Presented Scholar in 1652 and served up to Attendant Gentleman in the Ministry of Rites. A lofty scholar gifted at poetry and excelling at calligraphy, Shen’s style initially followed Dong Qichang’s but in later years was greatly influenced by Mi Fu’s. Much admired in calligraphy, Shen even went to the palace to discuss calligraphy with the Kangxi Emperor. His style reflects the trend then of imitating Dong Qichang. This work follows Yan Zhenqing’s style but also is much influenced by Dong’s. Though criticized for capturing the form but not the spirit of Dong’s style, Shen’s standard script is still quite impressive.(20120104)