名称：明吴伟仙踪侣鹤图 轴
资源编号：GCSHTB03234
艺术家：吴伟
国家：中国
年代：明代
出处：台北故宫
分类：书画
子类：绘画
类型：馆藏下载
格式：PNG
材质：纸
页码/数量：8幅
收藏位置：国立故宫博物院
文件大小：74.15 MB
压缩格式：rar
下载地址：网盘
专辑系列：台北故宫书画作品
备注说明：故画00043500000
资源截图预览
资源编号：GCSHTB03234
明吳偉仙蹤侶鶴圖 軸
明吴伟仙踪侣鹤图 轴
詳細資料
藏品類型：繪畫
文物統一編號
故畫000435N000000000
作品號：故畫00043500000
品名：明吳偉仙蹤侶鶴圖 軸
分類：繪畫
作者：吳偉
數量：一軸
典藏尺寸
本幅：68.7x39
質地
本幅：紙
| 題跋資料 | |||||
| 題跋類別 | 作者 | 位置 | 款識 | 書體 | 全文 |
作者款識
吳偉
本幅：江夏吳偉
行楷書
印記：吳偉、小仙
| 印記資料 | |
| 印記類別 | 印記 |
鑑藏寶璽：乾清宮鑑藏寶
鑑藏寶璽：宣統御覽之寶
鑑藏寶璽：太上皇帝
鑑藏寶璽：嘉慶御覽之寶
鑑藏寶璽：秘殿新編
鑑藏寶璽：珠林重定
鑑藏寶璽：宜子孫
鑑藏寶璽：三希堂精鑑璽
鑑藏寶璽：秘殿珠林
鑑藏寶璽：乾隆鑑賞
鑑藏寶璽：乾隆御覽之寶
主題
次要主題
翎毛
鶴
次要主題
器用
服飾（對人）
斗笠
主要主題
佛道人物
神、仙
2人
技法
寫意
人物衣紋描法(粗細線條)
參考資料
收藏著錄：秘殿珠林續編（乾清宮），頁248
收藏著錄：故宮書畫錄（卷五），第三冊，頁315
收藏著錄：故宮書畫圖錄，第六冊，頁325-326
參考書目
1.王耀庭，〈明吳偉仙蹤侶鶴圖〉，收入王耀庭、童文娥編，《長生的世界：道教繪畫特展圖錄》（臺北：國立故宮博物院，1996年初版），頁78。
內容簡介（中文）
吳偉（西元一四五九至一五○八年），湖北江夏人。字士英，號魯夫，更字次翁，又號小仙。幼年流落，曾傭工於錢昕家。後畫名大著，憲宗時待詔仁智殿，孝宗時賜畫狀元印章。 吳偉畫人物，出於吳道子，山水樹石則自戴進來。此幅破筆焦墨，則是小仙本色。
內容簡介（英文）
Immortals in the Company of A Crane Wu Wei (1459-1508) Ming Dynasty Wu Wei was a native of Chiang-hsia in Hopei. His style name was initially Shih-ying, but he later changed it to Tz’u-weng. His sobriquets were Lu-fu and Hsiao-hsien. A wanderer in his youth, for a while he worked at the home of Ch’ien Hsi. Later he became very well-known as a painter and during the Hsien-tsung reign (1465-1488) was called to the court as Painter-in-attendancd. Hsiao-tsung, the following emperor, bestowed on him a seal inscribed “First among Painters.” Wu Wei’s figure painting was in the tradition of Wu Tao-tzu, while his landscape style was derived from his near contemporary, Tai Chin. The use of ‘broken’ brush strokes and black, dry ink in this work represent a typical manner of his own.
內容簡介（中文）
吳偉（西元一四五九－一五○八年）湖北江夏人。字士英，號魯夫，更字次翁，又號小仙。幼年流落，曾傭於錢昕家，後畫名大著。憲宗時，待詔仁智殿。孝宗時，曾賜「畫狀元」印章。 本幅水墨畫仙人攜鶴，童子赤足荷笠，直往前行；仙人似聞鶴唳聲，回頭看鶴，二者作呼應狀。本幅多用禿筆勾畫，線條極具精神，又用淡墨暈染，筆墨簡單而清雅。
內容簡介（英文）
The Sage of the Northern Sea Riding a Crane Wu Wei (1459-1508) Ming Dynasty Wu Wei, style names Shih-ying and Tz’u-weng; sobriquets Lu-fu and Hsiao-hsien, was a native of Chiang-hsia, Hupei. A wanderer in his youth, he was at one time employed as a servant in the home of Ch’ien Hsin. Later he developed his talent as a painter. During the reign of the Ch’eng-hua Emperor (r. 1465-1488) he received the title of Painter-in-Attendance in the Jen-chih Hall. The Hung-chih Emperor (r. 1488-1505) gave him a seal which read “First among painters”. This painting depicts an immortal astrides a crane; an attendant stands beside him on a lotus branch. The immortal has turned his head to listen to the crane’s cry; gazing at one another the two seem to communciate. Wu has used a worn brush, achieving a vigorous line. For the contrasting washes he has employed very light ink.
