名称：民国余绍宋画墨竹 轴
资源编号：GCSHTB19539
艺术家：余绍宋
国家：中国
年代：中华民国三十三年（1944）
出处：台北故宫
分类：书画
子类：绘画
类型：馆藏下载
格式：PNG
材质：纸
页码/数量：4幅
收藏位置：国立故宫博物院
文件大小：42.19 MB
压缩格式：rar
下载地址：网盘
专辑系列：台北故宫书画作品
备注说明：赠画00006200000
资源截图预览
资源编号：GCSHTB19539
民國余紹宋畫墨竹 軸
民国余绍宋画墨竹 轴
詳細資料
藏品類型：繪畫
文物統一編號
贈畫000062N000000000
作品號：贈畫00006200000
品名：民國余紹宋畫墨竹 軸
分類：繪畫
作者：余紹宋
創作時間：中華民國三十三年（1944）
數量：一軸
典藏尺寸
本幅：133.5x33.1
全幅：220x46.6
質地
本幅：紙
| 題跋資料 | |||||
| 題跋類別 | 作者 | 位置 | 款識 | 書體 | 全文 |
作者款識
余紹宋
本幅：臞翁先生詩來道故。詞美意深。極為感幸。詩中以與可相儗不敢承也。率作一幀呈教。藉志永好。甲申（西元一九四四年）新春。余紹宋。
行書
印記：余紹宋、越園
| 印記資料 | |
| 印記類別 | 印記 |
主題
主要主題
樹木
竹
技法
寫意
參考資料
內容簡介（中文）
余紹宋（西元一八八二－一九四九年），浙江龍游人。號越園，別署寒柯。書畫七代家傳，善寫木石松竹，間作山水。喜用焦墨，筆法謹嚴中寓有瀟灑之致。生平自稱字第一，竹次之。能詩，精鑒賞，富收藏。
墨竹三株，挺拔向上。竹幹勁挺有力，竹葉紛繁而不亂，墨色層次井然，富有文人寫竹之雅韻。
本幅為孫多慈女士捐贈。
內容簡介（英文）
Yu Shao-sung (sobriquets Yueh-yuan and Han-K’o) was a native of Lung-yu, Chekiang. Seven generations of his family had been involved with painting and calligraphy. He himself excelled at painting trees-and-rocks, pines, and bamboo as well as an occasional landscape. He often liked to use very dry ink, giving his brushwork a feeling of utmost refinement within its severity. He himself considered calligraphy as one of the most important things in his life, followed by bamboo. He was an able poet and connoisseur, amassing a large collection.
In this painting, three stalks of bamboo in monochrome ink rise upwards. The stalks are upright and powerful, while the leaves are numerous and crisscrossing, yet still retaining an orderly feel. The layers of ink tones are natural and the work is permeated with the elegant tone of literati depictions of bamboo.
This painting was donated to the Museum by Ms. Sun Tuo-tz’u.
內容簡介（中文）
余紹宋（1882－1949），浙江龍游人。號越園，別署寒柯。書畫七代家傳，善寫木石松竹，間作山水。喜用焦墨，筆法謹嚴中寓有瀟灑之致。生平自稱字第一，竹次之。能詩，精鑒賞，富收藏。
此幅繪墨竹三株，挺拔向上。竹幹勁挺有力，竹葉紛繁而不亂，墨色層次井然，富有文人寫竹之雅韻。
孫多慈女士捐贈於民國62年。(20110204)
內容簡介（英文）
Yu Shaosong (sobriquet Yueyuan, self-styled name Hanke) was a native of Longyou in Zhejiang. Coming from a family of seven generations who practiced painting and calligraphy, he excelled at depicting trees, rocks, pines, and bamboo, also sometimes doing landscapes. He often enjoyed using very dry “scorched” ink, giving his brushwork a sense of utmost refinement and careful precision. He himself considered calligraphy as first in his life, followed by painting bamboo. He was an able poet as well as connoisseur, amassing a collection of his own.
This work depicts three stalks of bamboo done only in monochrome ink as they rise through the composition. The stalks are upright and powerful, the leaves numerous yet not chaotic. Ink tones are layered and orderly, giving this painting much of the elegant harmony of bamboo depictions by literati.
Ms. Sun Duo-ci donated this work to the National Palace Museum in 1973.(20110204)
