名称：宋人画鱼篮观音 轴
资源编号：GCSHTB01359
国家：中国
年代：宋代
出处：台北故宫
分类：书画
子类：绘画
类型：馆藏下载
格式：PNG
材质：绢
页码/数量：11幅
收藏位置：国立故宫博物院
文件大小：114.17 MB
压缩格式：rar
下载地址：网盘
专辑系列：台北故宫书画作品
备注说明：故画00015800000
资源截图预览
资源编号：GCSHTB01359
宋人畫魚籃觀音 軸
宋人画鱼篮观音 轴
詳細資料
藏品類型：繪畫
文物統一編號
故畫000158N000000000
作品號：故畫00015800000
品名：宋人畫魚籃觀音 軸
分類：繪畫
數量：一軸
典藏尺寸
本幅：108.5x61
質地
本幅：絹
| 印記資料 | |
| 印記類別 | 印記 |
鑑藏寶璽：乾隆御覽之寶
鑑藏寶璽：乾隆鑑賞
鑑藏寶璽：秘殿珠林
鑑藏寶璽：三希堂精鑑璽
鑑藏寶璽：宜子孫
鑑藏寶璽：秘殿新編
鑑藏寶璽：珠林重定
鑑藏寶璽：乾清宮鑑藏寶
鑑藏寶璽：太上皇帝之寶
鑑藏寶璽：嘉慶御覽之寶
鑑藏寶璽：宣統御覽之寶
主題
主要主題
佛道人物
觀音
其他主題
水中動植物
魚
其他主題
器用
籃．簍．籮筐
提籃
其他主題
器用
傢俱（屏風）
坐墊
參考資料
收藏著錄：秘殿珠林續編（乾清宮），頁96
收藏著錄：故宮書畫錄（卷五），第三冊，頁126
收藏著錄：故宮書畫圖錄，第三冊，頁17
內容簡介（中文）
據觀音感應傳所載：唐元和十二年，陜西金沙灘上，有一美女子攜籃鬻魚，人爭欲室之，惟馬氏子能誦法華經，故令具禮成婚。入門，女即死，有高僧告馬氏子云：此觀音示現以化汝耳。故又稱馬郎婦觀音，為三十三觀音之一，是乃魚籃觀音之由來。本幅觀音盤坐畫幅正中，亦以民婦姿態出現。前置竹籃中，有魚一尾，卻與觀音的衣紋線條和臉部輪廓線一般，俱因年代久遠而模糊不清，僅依稀可見魚鱗而已。
內容簡介（英文）
According to the Kuan-yin kan-ying chuan, in A.D.817 there was a beautiful young woman who sold fish from a basket living in Chin-sha-t'an, Shansi. Of the many who competed for her hand, the victor was a young man named Ma who could recite the Lotus sutra. The new bride, however, died right after getting married. A monk told the young man that the woman was a manifestation of Kuan-yin who had come to aid in their salvation. For this reason, Kuan-yin with the Fish Basket is one of the thirty-three manifestations of Kuan-yin. In this painting, Kuan-yin, shown seated, has the appearance of a village lass. Her bamboo basket is placed in front; in which lies a single fish. The painting has lost some if its detail and clarity with age, but in places the scales of the fish can still be seen.
內容簡介（中文）
據〈觀音感應傳〉所載：唐元和十二年，陜西金沙灘上，有一美女子攜籃鬻魚，人爭欲室之，女願嫁善誦《法華經》者，惟馬氏子能誦之，故令具禮成婚。入門，女即死，有高僧告馬氏子云：此觀音示現以化人耳。故又稱馬郎婦觀音，為三十三觀音之一，為魚籃觀音由來。
本幅觀音盤坐畫幅正中，以民婦姿態出現。前置竹籃中，有魚一尾，因年代久遠而模糊不清，僅依稀可見魚鱗而已。(20091016)
內容簡介（英文）
According to Biographies of Guanyin’s Manifestations, in 817 CE during the Tang dynasty a beautiful young woman sold fish from a basket in Jinshatan, Shensi. Of the many who competed for her hand, she would only marry a man who could recite the Lotus Sutra, and he was surnamed Ma. The new bride, however, died right after marriage. A high monk then told him that she was a manifestation of Guanyin, the bodhisattva of compassion. Thus, she was considered one of Guanyin’s 33 manifestations, shown with a fish basket. In this work Guanyin is seated and looks like a village maiden. Her bamboo basket with a single fish appears before her. The painting has lost some if its detail and clarity with age, but in places the fish scales can still be seen.(20091016)
參考書目
黃逸芬，〈宋人畫魚籃觀音 軸〉，收入鍾子寅主編《法華經及其美術》（臺北：國立故宮博物院，2022.03），頁216-217。
