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清吴昌硕墨菊 轴|7幅|74.43 MB|高清下载

加入收藏 书法网   2023-09-18  

名称:清吴昌硕墨菊 轴

资源编号:GCSHTB19397

艺术家:吴昌硕

国家:中国

年代:清德宗光绪十五年(1889)

出处:台北故宫

分类:书画

子类:绘画

类型:馆藏下载

格式:PNG

材质:

页码/数量:7幅

收藏位置:国立故宫博物院

文件大小:74.43 MB

压缩格式:rar

下载地址:网盘

专辑系列:台北故宫书画作品

备注说明:赠画00051500000

资源截图预览

清吳昌碩墨菊 軸

资源编号:GCSHTB19397

清吳昌碩墨菊 軸

吴昌硕墨菊 轴

詳細資料

藏品類型:繪畫

文物統一編號

贈畫000515N000000000

作品號:贈畫00051500000

品名:清吳昌碩墨菊 軸

分類:繪畫

作者:吳昌碩

創作時間:清德宗光緒十五年(1889)

數量:一軸

典藏尺寸

本幅:66.8x30.2

全幅:164x43

質地

本幅:紙

題跋資料
題跋類別作者位置款識書體全文

作者款識

吳昌碩

本幅:延年。(篆書)。衍甫仁兄大人正畫。己丑(西元一八八九年)九月。倉碩吳俊。(行書)。

行書

印記:吳俊之印、缶記

印記資料
印記類別印記

收傳印記:龍溪林氏

收傳印記:志超墨緣

收傳印記:定靜堂收藏印

主題

主要主題

花草

其他主題

建築

籬笆、圍牆

籬笆

技法

寫意

參考資料

收藏著錄:林宗毅先生捐贈書畫目錄,頁61、125-126

內容簡介(中文)

吳昌碩(西元一八四四-一九二七年),浙江安吉人。原名俊,字昌碩,又字倉石,別號缶盧、苦鐵、又署破荷、老缶、大聾,七十歲後以字行。書法以石鼓文見長,用筆結體,一變前人成法;篆刻以浙、皖諸家入手,上溯秦漢印璽,鈍刀硬入,樸茂蒼勁;又以金石書法入畫,氣魄雄渾,色彩濃郁,為海上畫派巨擘。

此畫成於己丑,為吳氏四十六歲之作。墨畫菊花簇葉挺出於支架上。用筆精神飽滿,墨色潤澤暢朗,富金石氣外,另具清逸之韻致。

內容簡介(英文)

Chrysanthemums

Wu Ch’ang-suo (1844-1927)

Republican Period

Wu Ch’ang-suo (original name Chun; style names Ch’ang-suo and Ts’ang-shih; sobriquets Fou-lu, K’u-t’ieh, P’o-he, Lao-fou, and Ta-lung) was a native of An-chi in Chekiang. After the age of 69, he practiced his art under his style name. In calligraphy, Wu specialized in Stone Drum script. He transformed the brushwork and structure of predecessors’ calligraphy to form his own style. He studied seal carving from various masters in Chekiang and Anhwei and went back to Ch’in (255 B.C.) and Han (206 B.C – 220 A.d.) period seals; the hard medium of the seal stone was carved with blunt lines to reveal a plain yet hoary strength. Furthermore, Wu Ch’ang-suo also applied the calligraphic style of stone and bronze inscriptions to his paintings, creating a bold and rich style with deep, strong colors. He became a noted artist of the Shanghai School.

This monochrome ink painting of chrysanthemums and a cluster of merging out from stems was completed when Wu was 45 years of age. The brushwork is spirited and complete and the ink is very moist and fluent. In addition to the abundant atmosphere of the Stone and Bronze School style, the painting also has a quite graceful air.

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