名称：清蒋廷锡桂花 轴
资源编号：GCSHTB06140
艺术家：蒋廷锡
国家：中国
年代：清代
出处：台北故宫
分类：书画
子类：绘画
类型：馆藏下载
格式：PNG
材质：绢
页码/数量：7幅
收藏位置：国立故宫博物院
文件大小：61.6 MB
压缩格式：rar
下载地址：网盘
专辑系列：台北故宫书画作品
备注说明：故画00248900000
资源截图预览
资源编号：GCSHTB06140
清蔣廷錫桂花 軸
清蒋廷锡桂花 轴
詳細資料
藏品類型：繪畫
文物統一編號
故畫002489N000000000
作品號：故畫00248900000
品名：清蔣廷錫桂花 軸
分類：繪畫
作者：蔣廷錫
數量：一軸
典藏尺寸
本幅：172.8x74.5
質地
本幅：絹
| 題跋資料 | |||||
| 題跋類別 | 作者 | 位置 | 款識 | 書體 | 全文 |
作者款識
蔣廷錫
本幅：臣蔣廷錫恭畫
楷書
印記：臣廷錫、朝朝染翰
題跋
清聖祖
本幅：中秋望月
行書
坐望中秋月正圓。玲瓏丹桂植當天。無私普照八荒外。皎潔清光雲漢邊。中秋望月。
印記：佩文齋、康熙宸翰、保合太和
| 印記資料 | |
| 印記類別 | 印記 |
鑑藏寶璽：乾隆御覽之寶
鑑藏寶璽：御書房鑑藏寶
鑑藏寶璽：宣統御覽之寶
鑑藏寶璽：嘉慶御覽之寶
鑑藏寶璽：乾隆鑑賞
鑑藏寶璽：石渠寶笈
鑑藏寶璽：宜子孫
鑑藏寶璽：三希堂精鑑璽
主題
主要主題
花草
桂花
技法
沒骨
參考資料
收藏著錄：石渠寶笈初編（御書房），下冊，頁1159
收藏著錄：故宮書畫錄（卷八），第四冊，頁99
收藏著錄：故宮書畫圖錄，第十一冊，頁75-76
內容簡介（中文）
蔣廷錫（西元一六六九至一七三二年），字揚孫，號西谷，又號青銅居士，江蘇常熟人。康熙四十二年進士，官至大學士。多以逸筆寫生，山水生動超逸。間作水墨折枝窠石，及蘭竹小品，極有韻致。嘗畫塞外花卉七十種，為宮禁所寶。流傳真蹟極少，著有青銅居士集。
蔣廷錫為康熙時代之花鳥大家，本幅為沒骨寫生折枝桂花，鈎染點葉，筆筆生動，設色沉艷傳神。畫上有康熙御筆中秋望月的題詩，君臣雅集，詩文與繪畫相互配合，可謂相得益彰。
內容簡介（英文）
Chiang T’ing-hsi (style name Yang-sun; sobriquets Hsi-ku and Ch’ing-t’ung chu-shih) was a native of Ch’ang-shu, Kiangsu. He received the chin-shih civil service degree in 1704 and went on to serve as a Grand Secretary. He used spontaneous brush strokes to create realistic paintings and his landscapes were lively and untrammelled. Chiang occasionally depicted “broken-branch” flowers and rocks in monochrome ink as well as small works of bamboo and orchids, which were truly elegant and refined. He depicted and recorded seventy types of flowers from the northern frontier, the paintings of which were stored in the Forbidden City as treasures. His surviving works are few, and his collected writings are found in Ch’ing-t’ung chu-shih chi.
Chiang T’ing-hsi was one of the most skilled painters of birds-and-flowers during the reign of the K’ang-hsi emperor (r. 1662-1722). This painting in the “boneless” style of ink washes depicts the broken branch of an osmanthus bush with blossoms. The brushwork is lively and the colors vivid. The painting bears a poetic inscription by the K’ang-hsi emperor on the subject of the mid-autumn moon. Painting and poem are well-matched and complement the aesthetic qualities of each.
